Uni Post WEEK 5 PROPORTIONS

So I started this week in my new fill in role at channel 31, editing there promo’s.
It was fantastic to be back professionally editing after a break of over a year.
I most enjoy working through creative and technical problems , sometimes coming up with answers that rant on the face of it obvious.

I edited a promo this week that to me made perfect sense and proportionately I felt the amount of text video music and grabs worked.
Then I showed it to a couple of people in the office who pointed out, although it was well put together and slick and snappy it wasn’t truly clear what the show was about. So thinking this through I wrote a script and dully recorded a voice over. The voice was 2 lines it basically read “show titles coming at 9 , the story of 3 friends forging there own path” . This revaluation that so little can make such a huge difference got me thinking…

We as video practitioners need to focus on proportionate use of elements in out productions. To much one way ,not enough the other ,can totally distort the message in your video whether it be a promo a bumper or a long form documentary.

So how do we determine what proportianlly works? I go back again to something I bring up over and over again and that is process or your personnel workflow. Through experience I have developed a process that works for me. In the case of the promo, it was draw the fundamental elements of what the show was, whether it be keywords or feel. Then I layer a couple of different music tracks down for feel and cut in the pictures I felt best represented that fundamental idea. I then came up with the idea , as the show was about the there friends enhancing that message with a graphic. Then I added the voice as mentioned above. Now the hard part, making the elements work together and not take away from each other.

To become good at this a certain understanding that people can only take in so much visual and auditory information at once. So the voice would go over vision that is non descript to enhance the narative being told. Music down low for emotion to convey its a comedy and grabs from the show with audio to introduce some personality of the characters. Its all about balance and to learn this and develop your intuition ask for feedback I have been around a while I still do its the best tool for getting that message rite.

In coming weeks I hope to be able to post some of this work on the blog stay tuned.

Uni Post Week 4 Creative Process and Organisation.

This week there are a few issues and discoveries I wish to touch upon, relating to me and the creative process.
Firstly, this week I started in a voluntary capacity training to work as there promo producer.
Whilst I was training ,I was reminded the importance of process in the creative arena.
The work , editing and compiling the promo’s themselves are not difficult ,but understanding and the implementation of the workflow and processes will take some practice.
A process in a creative project should be setup in a way that any other editor could walk of the street and undertake that role at any time. So the rule is before one starts a project, one needs to work out naming conventions that are simple and easy to understand. One needs to work out their organisation and folder structure for the different elements of the project.
Why not dive in just go for it? Were creative artists we are not organised.
This is why, as the project builds with layer upon layer of material you might be nearly finished, then oops something isn’t rite. Oh how do I fix it?, was it a problem in layer x or layer b of composition h . If the file structure’s are straight forward , and things well organised you will be able to drill into your project and find the problem in a straight forward manner.
A great example of this was during my training at 31 , the trainer was running me through the templates that had been created to create on screen graphics. Text was grouped together, solids were also grouped and everything was color coded within each group of layers.
For me the fact that it was so organised showed although 31 is a amateur station, the people running it are highly professional in their approach.
From those few hours of training that I gained , I will use this methodology in After Effects for all my future work. I have to be honest and admit in the past my organisation has been a weak point of my professional practice. In the end I do actually believe organisation and process are what shows professionals from amateurs, and there fore it is something I must work on.

University week 3 post Keying in After Effects

Today I started layering elements down for my After Effects project.
After a bit of research I came across Mocha which is a plugin for After Effects.

As you can see from the screen shot above I was in need of a simple way to key in a sky

After effects work in progress

Mocha provides a simple way to mask and key in your desired elements.

The process is relatively simple, it reminded me very much of the pen tool in Illustrator.

Simply right click on the file you wish to do this process on within the finder and select open with Mocha.

Then click on the “create spline layer tool” and start tracing out the outline of the area you wish to replace.

After you have fully traced out the area you wish to replace , then you export the meta data to your clip board.

Go back into After Effects create a new null layer, then paste your clipboard contents into your null layer.

You should then be able to mask your sky into place.

This method isn’t perfect as there are some hairline problems around the edges.

To improve upon the initial composite I will endeavour to do multiple color keys , with the eye dropper tool. This will enable me whilst zoomed in to get better edges. Also I contemplate that applying a blur to the edges of the composite will help greatly.

The next job will be to start adding texture to the foreground. As this is a still , the sky does not look believable yet because there is no foreground movement to add some element of realism to the reality I am attempting to build.  I will start working in my green screened flowers which will begin to add the texture that is desired.

Whilst I am discussing compositing I wanted to touch upon a particularly bad composite job I viewed recently. It was on a drama called the Ringer. As you can see the subject is supposed to be on a bridge in Paris. But intact it is obvious she is in front of a green screen the only thing they have done to sell the illusion is provide a small piece of this supposed bridge behind her shoulder.


So how would of I approached this differently , firstly having something in the foreground to join up with the background and secondly having everything out of focus makes it look even more bogus. I also thing the lighting doesn’t look correct on the actor I would probably have her more in shadow. For a pitch black scene she looks to uniformly lit. These are all things I will keep in mind as I develop my skills. It just goes to show even the most experienced can produce flawed work.

Uni Week 2 post

Another week gone and ideas are a plenty. The subject’s I have chosen are tying together nicely .They have given me a clear idea of what I will do for my After Effects projects and how I will go about doing them.
The reason I undertook the compositing subject was because I believed it was a skill I needed as a professional editor so my project will revolve around practicing and developing this skill.

I will undertake a video collage. The idea is that you will see a garden with a striking sky. In this backwards world ,flowers will open and close in timelapse flying saucers will fly through the sky and trees will sway in the wind. Whilst this is all happening I will compose some incidental music to accompany it.

These are some possible elements for the piece
http://www.motionelements.com/embed/sku/79520

http://www.motionelements.com/embed/sku/96149

http://www.motionelements.com/embed/sku/728439

The world I am aiming to create will be psychedelic and abstract in its nature. It will look neither real but more like an obscure dream sequence.
It will comprise of illustrator designed flying saucers and other aerial objects , still photography shot by myself,of different folliage and stock vision of time lapsing flowers.

My first challenge will be to work out the perspective’s I need for background plates. I will need to shoot or find a sky. Then find a mid ground and foreground that fits together. I am aiming for the project to have quite a bit of depth and not look flat in nature. It doesn’t have to look real but the proportions need to be correct to give this world the cooky look I am after.

Once the backgrounds are set , I will then endeavor to start compositing in the elements working in sections. I could start with the sky , adding in the flying objects then set in mid ground and foreground against that.

As I am learning I believe feedback from my lecturer will be important. I will endeavor to send working versions of it through as the process builds. This blog will display the process of this project as it goes on. I feel quite confident with it as I feel the techniques I have practiced in class and professionally will give me the ability to carry this through.

University Post Grad Week 1

I have always been a technical and creative person but professionally getting the right set of skills to push my career forward has sometimes been difficult. In a creative industry such as television when I was starting out I had to take whatever position I could get. I ended up editing news and current affairs. I had always dreamed of a far more creative endeavor such as drama ,but news was where I ended up. It then became apparent a couple of years ago that the standalone news editors role was starting to die. The broadcasters were employing systems to enable Journalists to edit there own stories .

As this was becoming more obvious to me, I started to look at ways of moving beyond my news room experience . What I found was that I had some very specific skill shortages , that would hamper my career growth. One such deficit was in motion graphics namely After Effects and design skills utilising Photoshop.

The role of the video editor has changed dramatically in broadcasting , now you are expected to be the editor have the ability to design and implement moving graphics and to have a multi disciplined approach to your media production duties. The editor is no longer just the editor.

So fast forward to the last week, I have started university doing my post grad in multimedia. It has been a very enlightening week. Why?  for one After Effects isn’t nearly as intimidating as I first thought. It is all built upon key framing , this is something I have done across many different software packages. It feels somewhat familiar to me ,in the way it works. When I worked in London at Bloomberg we edited all our material in Premiere which is the sister application of After Effects . I frequently had to keyframe effects in Premiere which is most likely why After Effects feels less intimidating. Here is an example of an early effects exercise I did.

What I am most looking forward to is bringing my video, photography and love of design together to start bridging over into this exciting new media world. My ultimate aim is to take this further and go onto study 3d animation. My ultimate aim is to design video, effects and edit for film television and online. To be as diverse as possible and to exit the sausage factory I have been involved with these past few years.